A barely legible brownstone hand
on a weedy fenced garden tomb,
a weather bleached picket fence
draped with inky newsprint folds,
wet smears of that christ be risen
then
nickels arced onto felt-lined baskets
meant to wick away chance fears
with an ironclad smooch of redemption
from the pale and lined cadaver
whose son now landscapes mortuaries
with the stench of black mulch
and white and pink impatiens.
Backing with a warning beep
through the labyrinth
of every possible reality:
the manly joy of a perfect weld
painted and worn in blue,
a warm wash of diesel
exhausts from the autobus,
then
honeysuckle sweet crushed ice tea,
heather lane and holly court,
the patience of water
and the gluttony of flame.
There's nothing civil
about the nubbed ball
with a preteen idol decal
deflated in the gutter
laying limp and beached
but to blissfully piss
in the still of the night
while listening to satori
must be something just the same-
go at them with clippers
and your body hairs
find their own groove:
not always for the squeamish,
this life.
Sunday, May 30, 2010
now we fade to green
When the snooze button breaks
only a drift from the dream
there was a chapel in the pines.
What I had called the marker
was really just a hallway light
to let me know you were coming
What I had called the marker
was really just a hallway light
to let me know you were coming
spring when promise blossomed.
The pastel dress of blue and lime
that I dreamt of lifting high
over your head in ceremony
to mark your privet
That never really happened
because we were only born
a few brief moments ago,
triangles of narrative memory
etched in missives of moist clay.
The pastel dress of blue and lime
that I dreamt of lifting high
over your head in ceremony
to mark your privet
with mad muddy wails,
a vitrine before you sighed
in shatter on flat ground.
Many spoons of downing stew
sanded hunger into burnt tongues
a vitrine before you sighed
in shatter on flat ground.
Many spoons of downing stew
sanded hunger into burnt tongues
of catty chatter bored in grainy doors,
leaving just enough browned sugar
to invent hallways of tongue
but not enough to sizzle brains
into a final spasm of lust:
I had already fucked everybody
that had ever danced
dances still
or will dance into the future.
The authority was you.
leaving just enough browned sugar
to invent hallways of tongue
but not enough to sizzle brains
into a final spasm of lust:
I had already fucked everybody
that had ever danced
dances still
or will dance into the future.
The authority was you.
Saturday, May 22, 2010
The Mysterious Topology of Knot Formation
What with his egg-shell skull
and red beard full of demons,
discoursing on at the wake
just below the broken mirror
to a table full of tear-stained relics,
his disagreement almost convinced me
that my perfect idea was lame enough:
but fat and squat and supremely certain,
he surely would have been uncomfortable
under a tent in the endless rain,
and his snort of sure derision
only served to steer my head,
to make my path that much clearer
after being almost kissed by Jimmy's axle.
(There's a possible context for this
for which I have no name or address-
one of the places where there's a shrubbery
on every goodly trimmed and godly corner lot
and a licking tongue for each steaming greasy pot,
where a perfect photo has yet to be taken,
in which the sneaky mouse cannot be seen.)
Suddenly a great truth dawned upon me-
that hippies can be assholes too.
His seed no match to man up man enough,
I made plans to see that house with the mansard roof,
with inside delivery and liftgate service,
because the claw that holds the bloody ball
has a ticking face on each grasping talon.
I had started to count before the true beginning
and almost missed the truest end:
Towards him, I just smiled and said of course.
unsolicited (and possibly lame) advice for two transcontinental lovebirds about to meet in meat-space after a whirlwind telephonic romance
Cry a little at the beginning
and also at the end
of your spell together,
and laugh as much as you can
for all the time that lasts between:
you already know it will go too fast.
Split and reappear just once with passion,
so you that learn each others patterns:
but do not confuse the rabbit with the hare.
What you at attempting
has a high degree of difficulty:
so cut yourselves and each other
a whole lot of slack
for all the time that lasts between:
and laugh as much as you can
for all the time that lasts between:
After all, in the end,
Omnia vincit amor.
Saturday, May 15, 2010
seven scenes from a vase of jasper, moistened by a salty dew
i. High cheek bones show two ells but here is one
The return of a portrait nude of a graying male slightly torn,
jagged with a careless letter in a distant studio by a raven pupil,
closed an oily circle that began with an initial smudge on a ocher flank
and ended with a volley of correspondence that slowly grew electric.
ii. A cough designed to catch your eye
The now pudgy former gamine bends over trashcans
in a discount housecoat of red velour with sporty stripes
near the place you met the smudged mascara that night
cycling home from school with the tears that made you cry.
iii. The uneasy disappointment of no longer feeling murderous
Spooked with calm tears in the bedroom morning after
committing the unnatural crime of square-toed shoes
near a table with blood red wheels; the smudged curtains
wisp a chiffon of meaning that perfectly freezes alarm.
iv. Chrome is no substitute for a welcome reflection
A vigorous smoke exhausted by the smudged fanning blades
pauses to snatch a callipygous view of hiked yellow hips,
as she bends over a linoleum counter in a short striped robe,
attempting to kiss the tearful lips of a spread white rose.
v. Etching over a careen that has no finish
Hoping for a curious little job by calligraphic hand
that will turn the aqueous face of smudged glass
into the smoky hues of sweet sticky forgetfulness;
the perfumey residue of nicotine on lips and lungs
releases gray memories of other hidden tears.
vi. Taxonomies go up and down
Of the thirty-seven ways of hiding tears,
the best use hallways three through nine,
to feather the short vortex of raven hair:
it was just another kind of smudge of death
and another mark of a prickly birthright.
vii. Again the curtains are revealing a creep
birch thin bones in a leathery box covered
by the tricky cloud that played the moon
in a vein pumping peripheral drama
played on a stage of rocks and scrub:
ever see a yellow finch of smudged green
lashed by raven wings and the sting of salt?
that is the mold that dually breaks the mold
both tearfully true and crazily easy to behold.
Saturday, May 8, 2010
past the point of mere inertia to the line from here to soliloquy
The screaming blazing comet of your head from a nice boot of white
streaks the grey brown void to places where there is no other stuff
to curse you with unnatural pink volume and the yellowness of stars,
a empty dark billow where all is right because all has ceased to be at all
except re-entrant crispiness because the burning ground is all burnt up.
There is no consumer taxonomy for streaking on such a gone degree of orbit
while you flail a dead sock at the eel weir moss that takes your breath away-
black and white scotty magnets on macadam cannot patch that glassy trouble,
nor your helmet made from broken street lamps shield your grey from aliens:
your thirty year detour in primer paint with a down-draft wing of six-cylinder spunk
marked with crusty cedar apple rust always washed out under dark umbrellas.
Orange sunrise on the sherbet dormer reflects your gaze so blank and banal
with that scrufty dog window sill white over the winter bales of grassy seed:
a plump berry of hazy fumes in this sweet and churning perfume of icy ecstasy
encourages the theoretical kundalini of monkeys to stream your long jones live
with hard radio static over the squawks of geese that plainly state the granite statutes.
In a world of ubiquitous metaphor when I click on the light I am a god to you,
just another kind of blackbird with extra tears for the withered little tweaker
who's stealing breath for one more sunset in an exoskeletal bag of crispy chips:
and it's all just a mandala in sands of green, maroon, and rust
about to be swept away.
Saturday, May 1, 2010
When belief is breath
Marionettes of muscle man the sober lines,
jerked into shape by the loose smiles of change-
always a little rougher on the flannel edges,
despite the miles of back in the looking glass.
You never realize how heavy a severed leg can be
when the proud laughter of a cargo pants bulge
is used to grab your apt round-eyed attention
and ginger counterposes the citrus appeal of orange:
how deep will the toes reach to find a formal table?
There are corridor passions deeper than brushed nap
but no longing longer for the shagged distance runner.
You have to label everything or you cannot sleep at night:
the beer-can grin of satiny curbside pornography
with a train whistle mournful mise-en-scene,
the cute names that rise acidly from a fluffy tongue,
the imprint of a curtsy retained in dowdy aqua towels-
there is no longer a word for the abstraction of crunch.
The clay drawn literate has ceased to live,
has ceased to spit and snort and fuck-
an ominous maroon of maples etched in the breeze
says, in charming leaves, that you will die and soon.
Would you rather bend chrome time
or expand space to be molasses slow
or give wizened advice to the overheated
while balancing on a cane of boredom
and drumming flamacues with stucco thumbs
on rough beige walls until there's blood?
When belief is breath and breath alone,
observe that the ootid will surely last
beyond the four dimensions of your grasp:
no point in getting all strung up in knots,
there is actually nothing happening
in the end.
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