there was little between our rough geometric god,
dreaming of pale supplicants in chessboard robes,
and the encouraged benediction
of smooth white pebbles
that tumbled onto the silver strand
in a chaotic foam of shelled joy;
who could not sense the saline grace
of that warm and briny rhythm,
the rhythmic perfection that erupts
from the incessant sand of eternity.
champagne, the descant of marvelous claret
and a frivolous mink with an upstaged shout
that, seductively, stole the freckled show:
it was the day a million of me
met a million of you
and echoed a million harmonies
that, in harmony, echo still.
Monday, November 23, 2009
Sunday, November 22, 2009
a hair is such a simple thing
then I noticed that one of your rebellious golden strands
had flown awry from a crucible winged with the wilted brass of quills,
had pierced the imagined golden fabric of my pompous fleece
with a sinuous mythology that was tenacious
and prompted, to a ticket holder entranced by teal,
an ancient head of expertly burnished copper-
then that almost bronzed and autumn needle
suddenly, in refracted sunlight, opened
into a kaleidoscope irresistibly imagined and,
serendipitously shadowless,
waltzed so dreamily into such a blond captivation
that I am captured to this eternal yellow day
by a flickering prism of luminous mineral glass:
periwinkle, burnt sienna, forest green-
when I am feeling confessional, especially,
I am still confused by the red and violets
and
I embrace, as always, periwinkle,
but not so much the continuous bland reflections
of that new and awkward chrome-
I have heard that, occasionally,
for the want of a better watch,
time fritters away in a perfect rhapsody:
I heard also, reluctantly,
that there are things,
especially blasphemous,
things that are mortal
mostly to the young.
had flown awry from a crucible winged with the wilted brass of quills,
had pierced the imagined golden fabric of my pompous fleece
with a sinuous mythology that was tenacious
and prompted, to a ticket holder entranced by teal,
an ancient head of expertly burnished copper-
then that almost bronzed and autumn needle
suddenly, in refracted sunlight, opened
into a kaleidoscope irresistibly imagined and,
serendipitously shadowless,
waltzed so dreamily into such a blond captivation
that I am captured to this eternal yellow day
by a flickering prism of luminous mineral glass:
periwinkle, burnt sienna, forest green-
when I am feeling confessional, especially,
I am still confused by the red and violets
and
I embrace, as always, periwinkle,
but not so much the continuous bland reflections
of that new and awkward chrome-
I have heard that, occasionally,
for the want of a better watch,
time fritters away in a perfect rhapsody:
I heard also, reluctantly,
that there are things,
especially blasphemous,
things that are mortal
mostly to the young.
Friday, November 20, 2009
it's such a blue thrill to split the sky
i. the fair weather that grew into a silky redemption
our gate into the moss that day
was trilled in a perfect coloratura,
demising at will the bark target
that was grilled by rusty willows-
pink but secretly unmentioned:
the munificent weeping of impatiens
in a necessary press towards bloom
as to my blush became the saintly dew.
you might call it paradise,
I call it something more.
ii. every evolution has a modicum of unfortunate offshoots
then came a calligraphy shorn of boredom that never faded:
our foundry unspoiled and grave where carved tablets lounged
in a soothing sienna mud that reeked of bubbling, spiky abuse.
I was so high I could see the planets.
iii. it only sounds like growling when I mean it.
there was something barking a gray language of granite oppression,
a voice that dragged with sisal ropes across the canine floor
and tore into the seductive sway of elms and oaks and maples:
it had the darkening violence of an unexpected autumn storm-
I had only expected leaves.
iv. the circle is sometimes announced by the chimes of innocence
twigs were hurled until our nostrils reeked of blood-
times were so much different when the sun arced low
and a horrified pack of shills went monkey, totally:
for a split dream moment the falcon aspired
under gray flurries that huddled with the Valkyries-
to wait for the freeze is, often, to be frozen still:
I still yearn for that sky-blue pop.
our gate into the moss that day
was trilled in a perfect coloratura,
demising at will the bark target
that was grilled by rusty willows-
pink but secretly unmentioned:
the munificent weeping of impatiens
in a necessary press towards bloom
as to my blush became the saintly dew.
you might call it paradise,
I call it something more.
ii. every evolution has a modicum of unfortunate offshoots
then came a calligraphy shorn of boredom that never faded:
our foundry unspoiled and grave where carved tablets lounged
in a soothing sienna mud that reeked of bubbling, spiky abuse.
I was so high I could see the planets.
iii. it only sounds like growling when I mean it.
there was something barking a gray language of granite oppression,
a voice that dragged with sisal ropes across the canine floor
and tore into the seductive sway of elms and oaks and maples:
it had the darkening violence of an unexpected autumn storm-
I had only expected leaves.
iv. the circle is sometimes announced by the chimes of innocence
twigs were hurled until our nostrils reeked of blood-
times were so much different when the sun arced low
and a horrified pack of shills went monkey, totally:
for a split dream moment the falcon aspired
under gray flurries that huddled with the Valkyries-
to wait for the freeze is, often, to be frozen still:
I still yearn for that sky-blue pop.
Monday, November 16, 2009
I don't really like saying anything
it's so lamely obvious to sit here,
an aging ham on a cold veneer of knotty pine,
chrome tubes austere in the Bauhaus style
hoping to support the paunch of gravitas
that seeks, in its Laconian chill,
the awkward lacuna of now:
then, of course, that moment,
thrusting forward trying to spurt this
po
em.
an aging ham on a cold veneer of knotty pine,
chrome tubes austere in the Bauhaus style
hoping to support the paunch of gravitas
that seeks, in its Laconian chill,
the awkward lacuna of now:
then, of course, that moment,
thrusting forward trying to spurt this
po
em.
Saturday, November 14, 2009
I could have been a trunk
the lichened limb had spread so slightly freaky now
downing itself upon the brisk green slope with a tender growth-
that made me think of an arabesque that swirled serene,
when,
someone whispered in my ear about purple perambulations
and a sudden swoon turned this sour world into a swirl of joy:
it's hard to blame the classics even when four becomes five.
is it really that easy to die?
downing itself upon the brisk green slope with a tender growth-
that made me think of an arabesque that swirled serene,
when,
someone whispered in my ear about purple perambulations
and a sudden swoon turned this sour world into a swirl of joy:
it's hard to blame the classics even when four becomes five.
is it really that easy to die?
Thursday, November 12, 2009
birds crash into windows
i. why lemmings have no wings unless supplied by plastic
there was something necessary about the flocking of the birds
and their frenetic quest for the ripe twilight drip of overripe berries
causing an anomalous pace of crashing that seemed, if not anomalous,
at least thickly innocent and bloody and raspberry obscene
for the feathered camera with its lashing snap of obscure eyes:
there are many forms of tethering and all of them are broken.
ii. looking before leaping has its own demise
glass walls are more dangerous than brick
and the mirror is the greatest horror of all,
it is glaring and habitual,
or so I've heard from sages more learned than I,
through lenses ground by the sandy glee of you:
in that moment
by the shore,
you leered,
just before the dawn.
iii. it's hard to retreat from the crowd
an observer might merely chant from the obvious vade mecum,
the richly pebbled leather that goes unquestioned
until the brick-red crayon becomes itself a brick
or becomes a brickwall and the illusion dies too late:
alligator piping is out of season, again?
oh, coco, coco, coco
give me a sign with one of your prehensile digits
or I shall never strut again until I see you sign
a simian prayer of lonely and eternal peace.
iv. mentioning the cage would be too trite
I've got my dark glasses on
is one way of saying that
the world is too much with us:
it gets kind of boring
when the speakers want to blast
into the great want of ears.
there was something necessary about the flocking of the birds
and their frenetic quest for the ripe twilight drip of overripe berries
causing an anomalous pace of crashing that seemed, if not anomalous,
at least thickly innocent and bloody and raspberry obscene
for the feathered camera with its lashing snap of obscure eyes:
there are many forms of tethering and all of them are broken.
ii. looking before leaping has its own demise
glass walls are more dangerous than brick
and the mirror is the greatest horror of all,
it is glaring and habitual,
or so I've heard from sages more learned than I,
through lenses ground by the sandy glee of you:
in that moment
by the shore,
you leered,
just before the dawn.
iii. it's hard to retreat from the crowd
an observer might merely chant from the obvious vade mecum,
the richly pebbled leather that goes unquestioned
until the brick-red crayon becomes itself a brick
or becomes a brickwall and the illusion dies too late:
alligator piping is out of season, again?
oh, coco, coco, coco
give me a sign with one of your prehensile digits
or I shall never strut again until I see you sign
a simian prayer of lonely and eternal peace.
iv. mentioning the cage would be too trite
I've got my dark glasses on
is one way of saying that
the world is too much with us:
it gets kind of boring
when the speakers want to blast
into the great want of ears.
Saturday, November 7, 2009
it all boils down to taxonomy and hegemony
i. for the incessant requesters of context, we begin again
there are them that want to name the things
and them that want to rule the names,
sniffle, sniffle, sniffle-
boom, boom, boom:
it is only a recurring dream when you find the exit recurring.
I am so glad that that is settled.
ii. stopping the wheel with a peasant's shoulder
when syntax is a fait accompli, the semantic will bite your ass-
hard.
and it will hurt:
like a crocodile dictionary which,
incidentally,
consists mainly of canonical entries for claws and fangs,
and skin that defies those moisturizers
that were hyped in loud and lemon green
when we splashed around the pool:
has anyone seen my swimmy wings?
there are them that want to name the things
and them that want to rule the names,
sniffle, sniffle, sniffle-
boom, boom, boom:
it is only a recurring dream when you find the exit recurring.
I am so glad that that is settled.
ii. stopping the wheel with a peasant's shoulder
when syntax is a fait accompli, the semantic will bite your ass-
hard.
and it will hurt:
like a crocodile dictionary which,
incidentally,
consists mainly of canonical entries for claws and fangs,
and skin that defies those moisturizers
that were hyped in loud and lemon green
when we splashed around the pool:
has anyone seen my swimmy wings?
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